Showing posts with label food. Show all posts
Showing posts with label food. Show all posts

Thursday, 20 March 2014

Novruz: How it is celebrated in Azerbaijan

On the day of equinox many nations and cultures that once worshipped fire celebrate upcoming spring – Novruz (as it is called in Azerbaijan) or Norooz, Novruuz, Nawruz, Nauroz as it is named in other cultures or simply a New Year.


The celebration involves a lot of symbolism and rituals that date back to the time of Zarathustra, the prophet of Zoroastian religion, who lived back in the 6th century B.C. He believed that anything on earth has a soul and each soul has both negative and positive features that balance out each other. Akhuramazda, the God of light, truth and life and Ankhra-Manyu, the God of darkness, evil, untruth and death divide and rule the world together.        

 

Fire, sacred and purifying, played a central role in the religious ceremonies and is an important part of Novruz celebration. Azerbaijan has been one of the centers of the religion and up until now there is an ancient temple, Ateshqah, now a museum, built on the site of eternal fire. It is not the only site: few kilometers away, also on Absheron peninsula, there is another place – Yanardag or Burning/Fire hill – another site where natural gas is so close to the surface’s oxygen that it self-ignite. The eternal fire that does not extinguish for centuries, no matter whether it is snowing or raining, even now mesmerizes the visitors of this place. From the fire, the name of the country takes its origins – the Land of Fire.


Novruz series, Fire, acrylic on canvas, Contemporary Nomad, 2005
Novruz series, Water, acrylic on canvas, Contemporary Nomad, 2005
Novruz series, Gilavar wind, acrylic on canvas, Contemporary Nomad, 2005

 

Fire is indispensable element of Novruz celebration: candles are lightened and tongal or bonfires are made all over the places in courtyards or even streets (also illegally). Everyone should jump over the fire at least once in a symbolic way of burning and leaving everything bad in the past and reviving as Simurg birds (in western mythology better known as Phoenix). If the bonfire is not big enough, it is not scary or dangerous at all, but before jumping make sure you are not wearing your favorite pair of pants or an expensive shirt!  

 

The climax of Novruz celebration is always the evening of March 20th which is preceded by four Tuesdays or Chershenbe, each representing one of four natural forces: water, fire, earth and wind (that inspired me to make a Novruz series, while first three were painted in 2005, the inspiration for the fourth still has to arrive). Life is born in water, fire nurtures life that now springs from the earth, wind as a messenger makes trees to open their buds and flourish – spring is ready to arrive. Every Tuesday evening family unites for a traditional dinner – a rice meal called plov. Each region of Azerbaijan have their own variations of plov, the most important is that it has to be sweet by adding dry fruits or rose jam. Semeni, green sprouting wheat wrapped up with red ribbon - the herald of spring and symbol of fertility is put on the center of festive table surrounded by traditional pastry, dry fruits, nuts and lightened up candles as many as there are members in a family. Each person picks a candle and makes a wish: whoever candle goes out the last is the winner and the wish will come true.

 

Pastry is the tradition on its own: there are three most common and important pastries: paxlava (rhomb-shape sweet pastry made of minced nuts, sugar, honey syrup, rose water) that has an almond or walnut in the center – a symbol of a pregnant woman, shekerbura (a patty with very intricate ornamentation made manually) – a symbol of crescent moon, and goghal – millefoglie round-shape pastry with a lot of sari kyok spice inside (made out of turmeric plant), bright orange color of the spice makes this pastry a symbol of sun. In addition, seven elements starting with “s” have to be present on the table: sumakh (red spice), skad (milk), sirke (vinegar), samani (a special millet porridge made out of semeni, the sprouting wheat, but since it is very difficult to cook, the “green” version can also work), sabzi (greens) – also as a substitute to samani, sarmisagh (garlic), sikte (gold - could be a golden coin or some jewelry) and a small mirror.   

 

On New Year day relatives and friends see each other, families visit cemeteries to commemorate the passed away relatives, to honor them a special type of sweet - khalva is prepared (flour, rose water, butter, honey, saffron), those in quarrel have to forgive each other. Everyone is very attentive to what they do and say on that day as this will affect the upcoming year. In the evening, dressed up in new clothes, people, in addition to the gastronomic feast engage in a lot of activities such as fortunetelling, dancing, singing or playing games such as throwing hats under neighbour’s doors, knock and run away to later come back and discover some treats in the hat.  The most popular game is knocking colored eggs to each other; the purpose is to break the egg of another contestant without breaking the shell of your own – a skill that some perfection throughout many years. Two dervish or travelers friends Kyosa and Kechel are beloved folklore characters and central figures of any street feast: they joke, invite everyone to play games and dances. 

 

It will not be an exaggeration to say that Novruz is the most important and long-awaited holiday of the year as it is an occasion to unite everyone at a festive table and share happy moments. Even when its celebration was forbidden by communists as a thread to their ideology, the nation still celebrated it. Now, it is a big event also in the city life as many open air shows and performances with traditional dances and competitions take place, mostly in Icheri Shekher or the Inner City - a historical center of Baku, the capital, surrounded by the medieval walls.


As a bonus, here is the recipe of the most easy to cook traditional Novruz meal: Suddash (sud - milk, ash - type of rice meal, synonym to plov).

Ingredients (for 2-3 people): 
1 full cup of long rice
2 cups of milk
1/2 table spoon of salt 
3-4 table spoons of sugar
1/2 cups of white raisins and dry apricot halves
100 gr of butter
4-5 table spoons of rose water (for flavor, usually, can be found in Middle Eastern and Indian shops)
pinch of saffron 

Preparation
Wash the rice in water. It is advisable to soak the rice in cold water for at least 2h, but if you don't do that it's not a big deal. Warm up the milk till it starts to boil in a teflon pan. Add sugar, salt and rice, saffron and rose water. Constantly stir. As soon as milk boils down completely, add dry fruits (previously washed under running cold water) and stir again. Cover the lid in cotton cloth or a napkin so that there is cotton layer between the lid and the food. Decrease the flame to minimum and leave the pan for 20-30 minutes stirring the rice once in a while. In the middle of the cooking process (ca. after 15 minutes) melt butter in a separate pan and pour on the top of the rice and stir again. 

Serve with rose petal jam or sugar. 

Friday, 19 July 2013

Arty Weekend – Part I

for more photos, please, check out my Facebook page


Past weekend from the “apple-city” (Almaty) I moved to the capital of the Land of Fire – Baku.

My failure to meet Warhol

Baku, the biggest port on Caspian Sea, has gone through several changes in the past few centuries. The commercialization of oil in the late nineteen century enriched the city and its architecture. The effects of the second oil boom of a recently independent country gave a boost to a new level of rebranding. Some of the changes are worth to be proud of while some others are small “genocides” against the city’s cultural heritage and green zone. The city of controversies and vanity, Baku has added a new facet to its image: in the past few years there has been a real boom of contemporary art – an area highly appreciated and supported by the president's family. Some unprecedented international initiatives took place recently one of which was bringing Andy Warhol's 100 works to a newly inaugurated Heydar Aliyev Center – a futuristic creation of the architect Zaha Hadid

Those who went to Common Ground, a 2012 Architecture Biennale in Venice, probably have seen this building’s model in the section of the exposition dedicated to Zaha Hadid. 

Heydar Aliyev Center became another architectural marvel of city's modern look

Live it looks impressive: the “tent’s” ivory curves shine in the sun, the sterile white interior of the entrance area promise franquillity, yet there has to be another time to discover all of its beauties as the building was closed for visits the day I was in Baku! So this unpleasant fact made impossible to see Warhol’s Life, Death and Beauty exhibition. It could have been my second only-Warhol time as in Milan’s 900 museum I have recently seen Bank of America Merrill Lynch collection of the artist’s works which is on until September 8th. The exposition was disappointingly small as I expected something beyond one room exposition, yet informative as a sort of a storyline was created through which evolution of Warhol’s techniques could be traced. In addition a nice designer solution of flavoring the exhibition with explanatory text in pop-art style (fluorescent colors, call boxes, etc.) added funkiness to the visitors’ experience. Also, I have discovered that there were many variations of famous Campbell canned soup and during the first show 32 metal soup cans were exhibited next to the paintings. So despite finding Warhol overrated and not among my favorite artists I still admit he was a marketing genius.

 While in Milan the exhibition was crowded, according to those who were luckier than me in  recently exploring the center in Baku, the show is really good, but they were the only visitors as probably everyone is now at the seaside or abroad. According to local newspapers 25,000 tickets were sold the first weeks, yet I wonder whether hosting an event like this in the middle of summer was a right pick: Since most of the students are long time ago on holidays and the remaining suffer from the university standardized entry test itch, a big chunk of potential audience is out of reach. Art is still a hobby of a few and summer is a dead season as I have encountered empty rooms also visiting the Museum of Fine Arts and some contemporary art galleries mostly located within the Inner City (a part of Baku surrounded by a medieval wall).

Artistic quest continues…

The museum has been recently renovated but I found the look a bit kitsch. In addition, its three floors vaguely have any organizational structure and navigation as well as lack any printed or descriptive materials except painting titles (this reminded me a comment I write on a slide for a post-storecheck presentation in a category management project I am currently working on!) neither the young girls working there really made an impression of very dedicated and knowledgeable employees. So unless you do your homework and study some art history beforehand/afterwards, your beyond-a-painting-title-curiosity will remain unsatisfied. Ground floor accumulated mixed chronology/theme classical art that included Shishkin, Aivazovsky, Kuindzhi, last floor was dedicated to national art with some remarkable pieces

Land, 1970s, Rasim Babayev


Land of Fire triptych: Ateshgah Temple,The Caspian Sea Nowadays, The Maiden Tower, 2007, Tahir Salahov

Still life with kelaghayi (a traditional silk scarf), 1973, Sattar Bahlulzade

Second floor had a temporary exposition arranged in a rush to commemorate the death of a renown Azeri artist, Togrul Narimanbeyov, whose lifeless body was a subject of fierce discussions on where to be buried: in the motherland or the city he lived past decades – Paris. 

Nizami World, 1980, Togrul Narimanbeyov

...title to be checked..., Togrul Narimanbeyov

An the winner is…

While in Amsterdam my favorite art gallery is Jaski, in Baku it was very easy to make my choice: there are quite a few galleries, some "historical" like Qiz Qalasi and newly opened like Yay! by Yarat Contemporary Art Space. I recalled an accidental discovery of Gazelli Art House on Dover street in London's Mayfair district this January when crossing the gallery’s entrance in Baku. Owned by ex-Sotheby’s employee, the Baku gallery had an exposition of three artists, David Jones, RoryMcCartneyand Hyo Myoung Kim as well as a very passionate about her work, friendly and knowledgeable employee Ayla (in all other Baku galleries the staff is either not present with gallery open for visits or has a basic or no knowledge about the items on exposition).


a view from the gallery's second floor to Rory McCartney's Psycho Boogie, 2011

Among the three, Korean artist Hyo Myoung Kim is my favorite as his works in digital media were both laconic and fascinating by their simplicity. His pixelated images look painted while printed on aluminum panels, especially A Thousand and One night or 1024 colors 100x100 cm Digital Diasec prints. The latter is a collection of the most beautiful and famous fireworks all over the globe – a quintessence of happiness and celebrations. If it had spare €4,5K I would buy this piece without any further doubt!

1024 colors, 100x100 cm Digital Diasec prints, Hyo Myoung Kim

1024 colors, 100x100 cm Digital Diasec prints, Hyo Myoung Kim

 This work by David Jones, Implosive Neuro Polymorphism, Polyurethane, Oil and Ink on Alluminium, 108x108 cm reminds me of Asian paysage or calligraphy, maybe because of the meticulous “ink lace”


For his Ultramagnetic 2010 painting Rory McCartney rotated the canvas several times to reach this dripping into different directions effect